Jonas Wood’s first exhibition of new work will open on March 31, 2012, and run through May 12 at David Kordansky Gallery. An opening reception will be held on Saturday, March 31 from 6:00 to 9:00pm. Making use of sources that are often intimately connected to his own life, Wood nonetheless exemplifies a wide-ranging and expansive view of representational painting and drawing. His practice consists of both analytical and intuitive approaches to composition: domestic and studio interiors, portraits, and imaginary still lifes are rendered according to a keenly felt sense of color and line, and numerous perspectival viewpoints are often combined to form a scene.
Wood often begins by collaging photographs he has taken, creating composite scenes that defy the limitations of a single eye or camera. Drawings made from these collages become both studies for paintings and standalone works, while paintings often appear again in later paintings that depict the architecture in which they have been hung. This layered methodology allows him to create the foundation for a practice that is pieced together from a wealth of visual information, as well as from a series of discrete moments in time. The work therefore takes shape as a visual analogue to the multiple, unpredictable, and constantly evolving ways in which memory reconstructs the past. Accordingly, Wood frequently portrays his subjects by way of pre-existing representations like baseball cards, posters, and images from television broadcasts.
In 2010, Jonas Wood was the subject of a solo project at the Hammer Museum, Los Angeles. His work has also recently been included in Mixed Signals: Artists Consider Masculinity in Sports, Wexner Center for the Arts, Columbus, OH. Interiors, a new catalogue documenting examples of the artist’s work from the past five years and featuring an essay by Michael Ned Holte, will be released at the time of the exhibition and will be available for sale at the gallery. Wood lives and works in Los Angeles.